The essence of purple sand lies in the landscape style

Zisha modeling Guifa natural "purple sand modeling Guifa natural law, Zisha plastic utensils from generation to generation, has never been interrupted, it uses the image of natural objects as a source of creativity, rich in subject matter, experienced the wisdom and creativity of many artists, technology level To improve, each stage has a unique style of skilled craftsmen emerged, creating a number of masterpieces handed down.” Wang Wanxian uses her own work as an example to illustrate the importance of Zisha pot “god shape”.

Master Wang is good at incorporating modern modeling elements into the art of teapot. She created the "ShenYun out of the pot", concise and concise concept, vivid image, the overall sense of strong, pot body, pot the whole as a sphere, spout like a bird's head, Taoist nature, between the body and the pot Through the imaginary space above and below, the bird spreads its wings and stretches its natural decent. The art pattern changes to create a dynamic, the lines are strong and comfortable, and the whole body of the pot is artistically adapted to its shape and shape. The effect of God is a sculptural art treasure full of the spirit of the times.

The work "Qu Hu" is a model created by the combination of contemporary literati and artist. In early 1988, it was jointly designed by Zhang Shouzhi and Wang Xiaoxian, professors from the Central Academy of Art and Design. They got enlightenment from the modeling of **, found the main line through the shape of the structure - the circle of involute lines, starting from the Hukou, connecting the handle beam, to the abdomen, and through the abdomen extended to the spout of the main line, the body Each part of the structure is integrated into the whole, achieving the harmony of face, body, shape and space. In this way, a masterpiece was born. In 1990, the work "Qu Hu" won the first prize in the National Ceramic Design Award and the first prize in the International Grand Prix. When exhibited in Japan, the audience placed flowers under their works to show their respect for the elite works of art.

Master Wang has gradually formed his own concept of artistic creation in his over 50 years of pot-making career. She believes that “purple flower design is to take the form of objects in the natural world to coarseness, refine it, and refine it to high levels. The art of living has enriched people's spiritual life.” Each time Wang Wanxian creates, she has to face the real object and repeatedly try to figure out that she uses her unique emotional consciousness to grasp the shapes and colors and make her works more emotional and spiritual. She likes to refine and condense the Chinese and American nature in her works into her own works, and gives them a distinct personality. She created works with pine as the theme, with a vigorous and vigorous style and vigorous momentum; works with bamboo as the theme are elegant, upright, and elegant; works with Mei as the theme, ice muscles, bones, proud cream and snow.

Teapot is the enrichment of life experience. The reason why the teapot is not the same as the ordinary pot is that the pot of the master is highly concentrated in its personality and life experience.” Vice President of China Ceramic Industry Association, Yixing Ceramics Shi Junfu, president of the trade association, told reporters that Master Wang Zhuixian will comprehend the natural things in the world and use his own wisdom and skillful hands to sublimate into a piece of purple sand art treasures.

Zisha is produced in Yixing, Jiangsu, and the more accurate place is Dingxiang Town. The town and "Jingdezhen" are also known as the two major cities in the history of Chinese ceramics. Here, with its unique natural conditions, it becomes the only source of purple sand, and therefore it is well-known both in China and abroad. In June 1943, Wang Xiaoxian was born in Dingshu Town, Yixing Town, where her great-grandmother, grandfather, grandmother, and father are masters of local pottery. Affected by the family, Wang Xiaoxian loved the purple clay pottery since childhood. In 1956, Wang Xiaoxian graduated from elementary school, just at the Yixing Zisha Factory. After a simple examination, she became an apprentice with the other 30 students. She successively studied under the famous Zisha Master Wu Yungen, Zhu Kexin, Yan Shimin, and Jiang Rong. . The apprentice begins with the clay and learns to basically play the film and beat the clay to learn how to make the kettle body. Then he learns to do the spout and pottery... 55 years of pot life, so she has a right to the teapot. Loved ones, the feeling that "you can't live without a day".

According to the introduction of President Shi Junkai, Master Wang has a high standard of pots and a low profile. There are "three rushes to come," which is praised by people: driving a car to help others open the door, rushing out to carry luggage, rushing to pay for meals . Whether during work or after retirement, Wang Yuxian actively participates in public welfare undertakings. She donated "Quchu" to the Chinese History Museum, donated the "ShenYing Out Forest Pot" to the Palace Museum, donated the "Bamboo Bamboo Handleer" to the Nanjing Museum, and donated the "Songzhu Plum Tea Pot" to the National Non-material Cultural Heritage Protection Center. ... There are nearly a hundred pots donated. She said that the teapot is spiritual and alive. It can reflect the author's heart, mind, talent, and feelings. He must do a good job first to be a good pot. Zisha technology to a certain level, to see the culture, is the character.