The exciting Dali Dragon Boat Dragon Boat Racing series activities are in full swing. The Huangqin Jinlong Grand Festival to be held at noon today is even more spectacular with its magnificent scene and the large scale of participating vessels. This is the “First Scene†of the Foshan Dragon Boat Race. In the past few days, the high tide of Dali's traditional activities at the Dragon Boat Festival has been followed by a wave of waves that has not diminished. In this commercial city with a wide range of economic tastes, it still retains many authentic traditional cultures. It is indeed commendable.
However, Dali is the core area of ​​Guangfu culture, the bridgehead of the integration of Guangfo culture and Dali. Dali has taken the lead in marketization and urbanization among the streets of the Nanhai towns. In this process, most of Dali’s land was developed and traditionally completed. The agricultural community has also been cut off by modern trade, industry, and the traditional cultural hotbeds are facing challenges. And at this time, Nanhai District proposed the cultural strategy of the three major regions of East, Central and West. Dali was assigned to the eastern urban area and asked to focus on the development of urban creative culture. Traditional and modern, Lingnan culture and urban culture how to coordinate development? Being placed before Dali is a dilemma of cultural development.
What do you think of when talking about Huanghai in the South China Sea? Zhongshan No. 9 Road, real estate, and commercial prosperity... Yes, these are the biggest impressions Huang Fang has given to the Guangfo people in the past 20 years. However, Huang Pei's “place of bullets†hides a Cantonese craft that can be called a cane. Historical records have long been recorded in the “New Tang Book†volume “Geography†edited by Ouyang Xiu et al. in the Northern Song Dynasty and recorded: “Guangzhou, Nanhai County, and Dudu Prefecture. Tugong: silver, rattan, bamboo, litchi...†In the Nanhai County Chronicle, which was renewed in the 18th year of Daoguang (1850), he wrote: “The Baisha (now Huangdai Baisha Village) is made of boiled cow hide, and weaved vines are the bulk... Purchased rattan, rattan chair, rattan chair, rattan silk skirt, annual production of more than 10,000 bags, shipped overseas, domestic sales accounted for most. Based on this, Huang Xi’s history of rattan production Has more than 160 years of history.
Huangshao Tengyi is concentrated in the "Palung Township" of Jiufengzhou. The original Baxiang Township refers to the eight natural villages of Shabei, Fenggang, Baisha, Chongkou, Chenxi, Yongcheng, Bichong and Hengsha. Haibei and Guangzhou Jinshazhou area. In the mid-1990s, with the rise of plastic products and other novelties, rattan products began to be “cold.†At the same time, the development of residential areas in Jinshazhou has also brought new vitality to this once isolated island. The influx of a large number of citizens has brought new cultural shocks to traditional craftsmanship. The traditional culture of Huangshao Rattan Arts is experiencing the impact of urbanization and is at the bottleneck of development.
In the previous article of the series, we introduced in detail the rich and varied aspects of Dali's traditional culture. Not only does it have the distinctive characteristics of the Dragon Boat Festival, it also includes lion dance, dragon dance, rattan, lion head, and Cantonese opera. In terms of traditional culture, Dali can be described as brilliant and disdainful.
The author noticed that in the inheritance of most traditional cultures, Dali's cultural people can dig and dig to the extreme. For example, calligraphy, Dali took the lead in setting up the first calligraphy park in the province. At the same time, it allowed the Guangdong Calligraphy and Youth Exhibition to settle in permanently, creating an atmosphere of learning calligraphy, calligraphy, and calligraphy in the society. What is even more wonderful is that not only did the calligraphy activities of the masses flourish, but Dali even digged deeper into history, and it also repacked the famous Ming and Qing dynasties, Lin Liang and others, in order to trace the origin and order and inherit the order. As for the dragon lions, Dali used market-oriented operations to create the Zhonglian Lions team (that is, the original Lushan Lions or Huang Feihong Lions team), and the Maibian dragon team and other well-known dragon boat clubs. Today, these clubs have all gone out of Guangdong and become the top dragon and lion performing team in China. Behind the famous Lions and lions team, they are filled with the achievements of Dali Lions Head. Traditional craftsmanship and traditional culture have always been the newest ones. ring.
However, many of the traditional cultures of these famous towns in Dali now have begun to encounter the same confusion as “Huang Xieng Rattan Artâ€: how can traditional culture be conserved in the face of irresistible urbanization?
In addition to the impact of urbanization, a new strategic position has also forced the transformation of Dali's traditional culture. Since last year, after the new leadership team of Nanhai District took office, it proposed to promote economic development through culture and inject cultural elements into the economic development process. At the same time, Nanhai District also divided the entire area into three parts: East, Central, and West, according to industrial characteristics. Three quarters of Dali's area was allocated to the eastern metropolitan area and the rest was allocated to the central industrial area. The industries in the three major regions have their own merits. The eastern part focuses on the development of the financial technology industry, the central region develops modern manufacturing industries, and the western region vigorously develops traditional culture and promotes tourism.
Guided by this principle, the Dali Cultural orientation in the eastern and central regions is positioned above the “urban culture†and “industrial cultureâ€. Traditional culture seems to be excluded from “strategyâ€. It is reported that as early as a few years ago, Dali took "Dragon Dance, Dali Love" as the main slogan of culture, and under this theme, it supported a large number of traditional cultures. In particular, the development of the Dragon Lions and the Dragon Boat Sports has formed a powerful force for private development. It is understood that Dali Village has its own lion dance team, and Maibian's dragon dance team has won many domestic awards. In the dragon boat sport, a large number of local "fans" often go to the dragon boat in groups at Huanglian's China Dragon Boat Training Base. Even the fall and winter season is no exception.
How can the cultural and cultural activities that have taken root for many years be smoothly entered into the fast lane of urban culture? This matter is placed in front of Dali cultural workers, a problem that is not easy to answer.
A few days ago, the news of the re-opening of the Dragon Boat Festival at Liede Village in Guangzhou's Zhujiang New City attracted attention from all parties. Originally in the group of skyscrapers, there was a charm in the traditional dragon boat races in the ancient ruins left by the ancient village. This vivid case seems to give a new inspiration to Dali’s traditional cultural preservation. There is no conflict between traditional culture and urbanization.
Urbanization is an important part of modernization. For traditional art, the process of urbanization changes not only its participation, but more importantly, it changes the relationship between traditional art and the city and also changes the “dragonâ€. Lion dance audience. In recent years, Dali Town conducted a general survey of intangible cultural heritage within the town and established a Dali Town Protection Project Directory. Dragon lions, dragon boats, and yellow vines are also included. At the same time, Dali also set up the “Dali Non-material Cultural Heritage Exhibition Hall†in the cultural station to integrate all the valuable culture of Dali. It is reported that this is Foshan's first “intangible†exhibition hall. Many citizens have come to visit for free.
A well-known planner (Yuan Qifeng, a professor of planning at Sun Yat-sen University) once stated that the soul of a city lies in its culture. In the course of urban construction and economic development, conscious protection of traditional culture will increase the charm of a place.
However, Dali is the core area of ​​Guangfu culture, the bridgehead of the integration of Guangfo culture and Dali. Dali has taken the lead in marketization and urbanization among the streets of the Nanhai towns. In this process, most of Dali’s land was developed and traditionally completed. The agricultural community has also been cut off by modern trade, industry, and the traditional cultural hotbeds are facing challenges. And at this time, Nanhai District proposed the cultural strategy of the three major regions of East, Central and West. Dali was assigned to the eastern urban area and asked to focus on the development of urban creative culture. Traditional and modern, Lingnan culture and urban culture how to coordinate development? Being placed before Dali is a dilemma of cultural development.
What do you think of when talking about Huanghai in the South China Sea? Zhongshan No. 9 Road, real estate, and commercial prosperity... Yes, these are the biggest impressions Huang Fang has given to the Guangfo people in the past 20 years. However, Huang Pei's “place of bullets†hides a Cantonese craft that can be called a cane. Historical records have long been recorded in the “New Tang Book†volume “Geography†edited by Ouyang Xiu et al. in the Northern Song Dynasty and recorded: “Guangzhou, Nanhai County, and Dudu Prefecture. Tugong: silver, rattan, bamboo, litchi...†In the Nanhai County Chronicle, which was renewed in the 18th year of Daoguang (1850), he wrote: “The Baisha (now Huangdai Baisha Village) is made of boiled cow hide, and weaved vines are the bulk... Purchased rattan, rattan chair, rattan chair, rattan silk skirt, annual production of more than 10,000 bags, shipped overseas, domestic sales accounted for most. Based on this, Huang Xi’s history of rattan production Has more than 160 years of history.
Huangshao Tengyi is concentrated in the "Palung Township" of Jiufengzhou. The original Baxiang Township refers to the eight natural villages of Shabei, Fenggang, Baisha, Chongkou, Chenxi, Yongcheng, Bichong and Hengsha. Haibei and Guangzhou Jinshazhou area. In the mid-1990s, with the rise of plastic products and other novelties, rattan products began to be “cold.†At the same time, the development of residential areas in Jinshazhou has also brought new vitality to this once isolated island. The influx of a large number of citizens has brought new cultural shocks to traditional craftsmanship. The traditional culture of Huangshao Rattan Arts is experiencing the impact of urbanization and is at the bottleneck of development.
In the previous article of the series, we introduced in detail the rich and varied aspects of Dali's traditional culture. Not only does it have the distinctive characteristics of the Dragon Boat Festival, it also includes lion dance, dragon dance, rattan, lion head, and Cantonese opera. In terms of traditional culture, Dali can be described as brilliant and disdainful.
The author noticed that in the inheritance of most traditional cultures, Dali's cultural people can dig and dig to the extreme. For example, calligraphy, Dali took the lead in setting up the first calligraphy park in the province. At the same time, it allowed the Guangdong Calligraphy and Youth Exhibition to settle in permanently, creating an atmosphere of learning calligraphy, calligraphy, and calligraphy in the society. What is even more wonderful is that not only did the calligraphy activities of the masses flourish, but Dali even digged deeper into history, and it also repacked the famous Ming and Qing dynasties, Lin Liang and others, in order to trace the origin and order and inherit the order. As for the dragon lions, Dali used market-oriented operations to create the Zhonglian Lions team (that is, the original Lushan Lions or Huang Feihong Lions team), and the Maibian dragon team and other well-known dragon boat clubs. Today, these clubs have all gone out of Guangdong and become the top dragon and lion performing team in China. Behind the famous Lions and lions team, they are filled with the achievements of Dali Lions Head. Traditional craftsmanship and traditional culture have always been the newest ones. ring.
However, many of the traditional cultures of these famous towns in Dali now have begun to encounter the same confusion as “Huang Xieng Rattan Artâ€: how can traditional culture be conserved in the face of irresistible urbanization?
In addition to the impact of urbanization, a new strategic position has also forced the transformation of Dali's traditional culture. Since last year, after the new leadership team of Nanhai District took office, it proposed to promote economic development through culture and inject cultural elements into the economic development process. At the same time, Nanhai District also divided the entire area into three parts: East, Central, and West, according to industrial characteristics. Three quarters of Dali's area was allocated to the eastern metropolitan area and the rest was allocated to the central industrial area. The industries in the three major regions have their own merits. The eastern part focuses on the development of the financial technology industry, the central region develops modern manufacturing industries, and the western region vigorously develops traditional culture and promotes tourism.
Guided by this principle, the Dali Cultural orientation in the eastern and central regions is positioned above the “urban culture†and “industrial cultureâ€. Traditional culture seems to be excluded from “strategyâ€. It is reported that as early as a few years ago, Dali took "Dragon Dance, Dali Love" as the main slogan of culture, and under this theme, it supported a large number of traditional cultures. In particular, the development of the Dragon Lions and the Dragon Boat Sports has formed a powerful force for private development. It is understood that Dali Village has its own lion dance team, and Maibian's dragon dance team has won many domestic awards. In the dragon boat sport, a large number of local "fans" often go to the dragon boat in groups at Huanglian's China Dragon Boat Training Base. Even the fall and winter season is no exception.
How can the cultural and cultural activities that have taken root for many years be smoothly entered into the fast lane of urban culture? This matter is placed in front of Dali cultural workers, a problem that is not easy to answer.
A few days ago, the news of the re-opening of the Dragon Boat Festival at Liede Village in Guangzhou's Zhujiang New City attracted attention from all parties. Originally in the group of skyscrapers, there was a charm in the traditional dragon boat races in the ancient ruins left by the ancient village. This vivid case seems to give a new inspiration to Dali’s traditional cultural preservation. There is no conflict between traditional culture and urbanization.
Urbanization is an important part of modernization. For traditional art, the process of urbanization changes not only its participation, but more importantly, it changes the relationship between traditional art and the city and also changes the “dragonâ€. Lion dance audience. In recent years, Dali Town conducted a general survey of intangible cultural heritage within the town and established a Dali Town Protection Project Directory. Dragon lions, dragon boats, and yellow vines are also included. At the same time, Dali also set up the “Dali Non-material Cultural Heritage Exhibition Hall†in the cultural station to integrate all the valuable culture of Dali. It is reported that this is Foshan's first “intangible†exhibition hall. Many citizens have come to visit for free.
A well-known planner (Yuan Qifeng, a professor of planning at Sun Yat-sen University) once stated that the soul of a city lies in its culture. In the course of urban construction and economic development, conscious protection of traditional culture will increase the charm of a place.
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