On the morning of October 30th, at the 2021 Bay Area (Guangdong) Fashion Culture Week-Autumn Opening Ceremony, Tang Zhiru, the promotion ambassador of Guangdong textile and apparel intangible cultural heritage, brought the brand "Xiao Ru skirt gown" to bring the release of Guang embroidered intangible cultural heritage clothing works.
Xiaoru skirt gown brings two series of works, "Fish" and "Booming" in this release. In Chinese traditional culture, fish has the beautiful meaning of more than one year after another, hundreds of descendants and thousands of grandchildren. As a traditional festive color, red is the main color of this series. In this series, no matter the embroidery pattern, or the overall design of the style, including the handbag, the visual elements of fish are used. The soft red yarn is combined with embroidery and various processing techniques to express the beautiful tail and fins of the fish. The three-dimensional tailoring is used to highlight the curvaceous beauty of women. The small stand-up collar of Chinese style and the large sleeves of organza imitating Hanfu are mixed and matched to highlight the big tool.
The "Booming" series boldly adopted black as the main color. The earliest dragon and phoenix gowns continued the Qin Dynasty's symbol of "black is the highest status" and formed the habit of black clothes and red dresses. All-match black with simple red, nail gold embroidery and wide embroidery mixed embroidery. Among them, the skirt and cuffs have a long-lasting meaning with the water wave and Shoushan pattern. The Chinese culture has a long history of five thousand years and has a solid foundation. Surrounded by peony flowers and flower clusters, the branches and leaves are luxuriant, which means that the branches and leaves are blooming and the flowers are blooming. There are auspicious clouds and bats, meaning peace, reunion, and good fortune. One of the "Xiaoru skirt gowns" with embroidery on the front is a tribute to the master and mother and [Xiaoru skirt gown] by the apprentice.
What we call "intangible heritage" nowadays, in the hearts of many people, it is outdated; in the eyes of our craftsmen, it is our treasure, as long as we make good use of it, it will be inexhaustible. The teacher of the legacy believes that it is actually the old science of the year. In those days, our clothes and accessories were fashionable at that time. It's just that, with the process of reform and opening up, too much Western culture has poured into the land of China, and our old science and old fashions suddenly became unsuitable and became "unacceptable". As a designer and a non-genetic inheritor, I think I am the "Huoxiang Zhengqi Water" of the old science and old fashion of nailing gold embroidered skirt gown making skills. "Drug" to "disease" is eliminated. When the "unacceptable" is gone, when intangible cultural heritage and fashion are combined, what is in China is what is in the world.
People who do not understand traditional culture may think that the skirt has not changed. That's because many people don't know that there are different styles of skirt gowns in different ages. From the Ming Dynasty to the Qing Dynasty and the Republic of China, its black coat and red dress were wide, large and cumbersome, and became less and less popular, so that in the later period of time, it was gradually forgotten by most people... Keep it in mind. That is the group of people who pass on the craft.
Intangible cultural heritage, when no one cares about it, tries its best to "let more people see it." In the 30 years of reform and opening up, the trend has been wave after wave, and many craftsmen have switched careers because they can't see the future of traditional craftsmanship. Tang Zhiru's two embroidery families have grown to only our husband and wife. Because of love, we persist.
From the earliest wide and large style, it was improved into a slim style that everyone likes in the later period. Made from the original single style, now a hundred flowers bloom. This year we directly extracted some elements of the old skirts and gowns, and designed a number of series of dresses. I want to tell everyone that the new styles can attract attention, and the traditional styles are more time-honored.
Everyone’s life needs a sense of ritual, so that we can remember every step in life and keep good memories.
On the fashion stage, the most traditional ceremony is expressed to more people. In fact, this is also a fashion. Fashion, in fact, it is a reincarnation. When many people are tired of Western-style wedding dresses and Western-style dresses, we merge the improved old science and old fashion together, then it is a new fashion. In such a process, I believe that I am a new generation of intangible cultural heritage with innovative techniques for making gold embroidered skirt gowns.
Intangible heritage, it is not out of fashion, as long as you find new ways to play different intangible heritage and different nodes, give it a bottle of "Huoxiang Zhengqi Water" in a timely manner. Intangible cultural heritage can also play a different fashion. As our motherland becomes stronger, in the future, China's is the world's.
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