The Mani heap is mostly a pile of white stones. It is often square or round on the top of the mountain, at the mountain pass, at the intersection, at the ferry, at the lakeside or in temples and cemeteries, for blessing and to be the protector of the local people. In the original Bon religion in Tibet, people think that everything is spiritual. Of course, white stones are indispensable in white worship. After the introduction of Buddhism into Tibet, people piled up Mani heaps and took another step. They were generally no longer pure white stones. People engrave the white stone that was originally thought to have aura to engrave the Buddhist scriptures or Buddha statues, so that these white stones are more aura and become Mani Stone, in order to bless and shelter themselves.
Mani stones vary in size and shape. Large ones are like mountains, small ones can be placed in the palm, or round or square in a natural state. In addition to the color is mostly white, its texture is also very different, there are limestone, siliceous rock, white marble and so on. The size of the original Mani heap may not be too large, but according to the traditional habits of people on the plateau, when passing through the Mani heap, they will recite words in their mouths, call the gods, pray for the gift of God and the blessing of the gods, remove the disaster, get Happiness, and a turn around the Mani heap, add a stone. Even if there are no stones, it will add animal heads or horns or wool, even things like your own hair. In this way, after a long period of continuous exchanges with people, the size of Mani heap will become larger and larger.
The content engraved on Mani Stone is generally related to Tibetan Buddhism. There are Buddhist scriptures, among which there are many six-word mantras, there are other auspicious languages, as well as Buddha statues, gods, etc. There are also animals or demons and ghosts, and the content is very rich. Not only do people place Mani Stone in places where they often turn or go in, but some people also use Mani Stone as a sacred object for home, or to a distant pilgrimage site. Mani Stone is also used as a protector of the people or embedded in the wall, or is hung in the house and even where it is built. The temple dedicated to Mani Stone is built. The hall is surrounded by Mani Stone.
The huge demand for Mani stone has created Mani stone carving artists and art. The Mani stone carving artists who are different from the noble status of Mani Stone are all over Tibet, and their social status is low. Although they make a living from this, they will pray to God piously every moment with a piece of Mani Stone. In accordance with the requirements of the Buddhist scriptures, they will engrave the corresponding content. The so-called practice makes perfect, it is this long-term tempering, the stone carving skills of the artists are constantly improving, gradually reaching the realm of handy, forming different styles, making the Mani stone carving become a unique artistic stone carving. From the technical point of view, wired engraving, subtractive embossing, bas-relief and comprehensive techniques. These techniques are also popular in different regions, forming different regional styles, such as the Changdu, Ali area, multi-line engraving, the bottom of the yang, the popular bas-relief in Lhasa and Shigatse. Of course, the difference in this technique is not absolute. Each artist will have his own different style. Even the same artist, the same god he carved on different stones will be in a variety of ways, because in their view, What is important is the sincere heart of the Buddha.
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