In the Tang poem "Weaving a walled flower bud (qúshÅ«)", an ancient home textile product is mentioned - æ°æ¯¹. In the Ming Dynasty, Cheng Dengji explained in the "Youth Learning Qionglin": "The blankets are smashed." The Eastern Han Yingying said in "The Customs of the Wind": "Weaving the bristles is the knack." The rhyme book written by Li Deng in the Three Kingdoms Period. "Sound class" said; "Hey, Mao Xi also."
In ancient times, people were mainly sitting on the floor, so the carpet-type home textile products were essential for life. Just as the Han people have poetry clouds: "Welcome to the North Hall, sit on the felt." The ancients explained "æ°æ¯¹" or Mao Xi or Mao, it can be seen that the blankets were mostly woven into wool fibers. In the Xinjiang Han Tomb, the pieces of blankets woven with red, enamel, brown, ash, camel, yellow, white and Other color lines were unearthed, and the woven piles were woven with colored lines such as ochre, yellow, and lake yellow. Blanket, Xinjiang Hetian has unearthed the Han Dynasty leaf pattern mane blanket. The use of woolen rugs reached its peak in the Yuan Dynasty, and the courtroom implemented the "Fantasy blanket." This is mainly because the Yuan Dynasty was established for the Mongolian people, and the abundant wool fiber resources created conditions for them to make blankets. According to the "Dayuan Felt Works", only five carpets were laid in a dormitory in the Yuan Chengzong Palace, with a total area of ​​992 square feet and about 1,000 kilograms of wool. In some ancient paintings of the Yuan Dynasty, the carpets laid will also be seen. At this time, there is also the name of "carpet". "Carpet" explains "carpet": "Carpet, used to cover the ground, mostly with camel hair. "Yuan Shi·Shi Zu Zhao Rui Shun Sheng Huang Chuan" cloud "Xuanhuiyuan sheep skin is not used, After taking it, the seam is a carpet" is also. â€
The use of silk weaving is a great pioneering work of the Chinese ancestors, including gorgeous silk carpets. The Han Dynasty "Foreign Objects" records a silk carpet of the Qin Dynasty: "The Great Qin Dynasty is woven into a scorpion, with a group of beasts and five colors, and the birds and beasts are arrogant, strange, and have parrots. Yuanwang Xuanxuan if flying, its text is red, black, green, red, golden, and yellow. It can be seen that this is a kind of silk-knitted carpet, rich in color, and the pattern (ancient text) is spectacular. The Tang Dynasty was the heyday of China, and it has made brilliant achievements in many aspects such as economy and culture. Among them are the long-established silk industry. In terms of home, the Tang Dynasty was a period of transition from the ancient "sitting on the ground" to the high-foot furniture. The custom of using the blankets also reached its peak. This was reflected in some of the paintings and literary works of the time. For example, in Zhang Wei's "Lecture Picture", there is a woman sitting on the carpet, and Zhou Wei's "Swing Fan Lady Scroll" also has three women sitting on a carpet. The most detailed description of the use of carpets at that time should be pushed by Bai Juyi's "Red Line Blanket": "Red Line Blanket, choose the shallow silk boiled, pick the line red and blue dyed; dyed red line red ceiling, weaving the draped temple blanket. The fragrant hall is more than ten feet, and the red thread is woven into the hall. The color line is fragrant and fragrant, and the line is soft and empty. When the beauty stepped on the song and dance, the Luo Socks embroidered shoes did not follow. The Taiyuan blanket was hard, and the 蜀 蜀The thin brocade is cold. It is not so warm and soft. In October of the year, Xuanzhou, Xuanzhou Taishou plus sample weaving, self-proclaimed as a minister can do their best. Baifu with the palace, the thick wire can not be multi-volume. Xuanzhou Taishou I don’t know? A blanket, a thousand two silk. I don’t know if the cold person is warm, and less people wear clothes for the lichens!"
In this poem, the red line carpet is written from the process of selecting, simmering, boiling, picking, dyeing, and weaving. In the poem, the red line carpet is silky and the fluff is soft. When walking on the online blanket, the shoes and socks will be buried in the blanket, which is lifelike. The advantages of using the contrast method to write the red line carpet: the Taiyuan blanket is hard, the Sichuan blanket is too thin, and it is not as warm and soft as the Xuanzhou red line blanket. This poem truly reflects the amazing level of silk fabrics achieved in the Tang Dynasty. While trying to portray the exquisiteness of silk, the poet uses the ending sentence to embody the sympathy of the working people and exposes the luxury of the nobility.
In the modern home life, carpet has become an indispensable home textile accessory. The first is its decorative effect. People regard the carpet as a decorative home art that represents taste and identity. Today, advocating the "three-dimensional sense", she is indeed a beautiful and practical art that can be compared with soft carving. Secondly, its practicality, in today's quality of life, sound insulation, moisture, anti-skid and many other practical values, has made people unable to give up. Finally, people also value the cultural connotation behind her and the value of value-added and value-preserving collections.
The Chinese carpet, which contains thousands of years of history and culture and multi-ethnic labor creation, is a rich and dignified historical legacy left by the ancestors, a profound and profound art treasure house. Its profound cultural heritage, superb craftsmanship, and exquisite artistic attainments will have a broad and profound impact on the development of the entire world carpet.
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