Dior Haute Couture "Madame Butterfly" in fashion

What kind of journey of mind has allowed John Galliano to arrive at and even exceed the peak of glory? The Japanese-style kimono, wide belt and geisha makeup are diorized and the genre of Puccini's opera “Madame Butterfly” is in the fashion's exquisite form. Re-interpretation. People once again experienced the designer's extraordinary talents - a fashion show for narrative poetry, awakening soft and sensitive emotions.

Pink, coral, grape violet, and green and blue colors emphasize the distinctive features of the clothing. Lanterns, cherry blossoms, pine branches, folding fans, and various classic Japanese elements are dazzling. The oriental origami art is also displayed on the fabric. The rigid geometry of the three-dimensional geometry will sculpt the neck like a flower or hovering bird. Imitation wood-type high-heeled shoes also fit the origami form, binding an alternative depressing and twisting beauty. The last relatively bleak dress show did not really die. Galliano's return to formalism was spectacular. Dior's T stage is like a theater. Shalom Harlow and her companions staged a dramatic tension on the stage of Galliano's stage. The rhinestone hairpins twitched in Harlow's geisha style.

If anyone had glimpsed Galliano's unformed romantic genius 20 years ago, or witnessed his first little-cost all-black-go-style dress show ten years ago, today’s presentation is just another proof of his amazingness. Talent and inspiration. Is this a brand new idea? But when Galliano did his best, nobody could.